Dear visitor: Have patience.

The English version of this gallery is
under construction. Swedish texts which
still exists will be replaced by English.





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                                                                                                           Christ. Detail from the Resurrection. Foto: Bo Wiberg
Catalogue                                     
     
 
                                                                                                 
Below you will find a catalogue including all the icons that       
are exposed in this gallery arranged into different groups. 
In peace and quiet you may botanize amongst a selection 
of nearly 50 icon-motifs painted by Lars Gerdmar and 
through short commentaries and close-ups make acquain-
tance with the messages of the different motifs. 

If nothing else is said Gerdmar has written the texts 
and the same applies for the photographs, which are 
taken by Bo Wiberg, who specializes in art and antiquities 
and who since many years collaborates with Gerdmar. 
Besides the photos and texts you will later on also find 
hymn quotations and prayers from the Orthodox Church 
calendar, dedicated to the different events and persons 
that are depicted in the icons, here. Later on we also 
present some poems by Ingemar Leckius. Leckius is 
one of the leading poets in Sweden and here you may l
ater on find some poems selected from his collection 
Vid Terebinträdet, in its English version: Light from Light,     
2001. 

By clicking the headings and the titles below you 
will enter into the different motifs. In the Swedish version 
you find several longer commentaries to the motifs. A few 
of these will also be published here later on. Man is the 
self-portrait of God, the Trinity, and the painted icon is 
the image of God’s birth as a human person – the mystery 
of the Incarnation (Latin: in carne, in the flesh). The icon 
is without doubt a beautiful piece of art, belonging to one 
of the oldest and foremost pictorial cultures throughout 
history. But it is also a kind of spiritual mirror, a dialogue-
image, where man is invited to a face-to-face conver-
sation with God himself, his heavenly and spiritual father, 
who has become a close friend to him and his beloved. 

Saint Athanasios, patriarch of Alexandria in the 4th century 
and recognized as one of the first theologians of the 
incarnation, says apropos this mystery: God became man, 
so that man should become divinizised – words to be medi-
tated on at the meeting with the icons. And the 5th century 
Saint Augustine of Hippo says on account of the same 
mystery and the union of God and man: God is closer to 
man than man himself.   

With these words we wish you welcomed on a tour in 
the IMAGO NOVA GALLERY.





the Resurrection
Interiors
 

 
 
 

 
 
 
 
 
 
 
 
 
 
Saint John the Theologian
2006. 24x30 cm. Be in private collection.
Saint John is the apostle of love, dressed in a lenient medium-red cloak and a white one beneath this, which shine and strike lightning. His body language is simple and monumental, the features unveiled, heartfelt and thoughtful. Inspired by the angel of Wisdom (Hagia Sophia) in pearl-white, he is formulating his Gospel. His last words, more than a hundred years old, were simple but committing: “Love each other!”
Foto:Bo Wiberg
 
 
 

 
 
 
 
 
 
 
 
 

The Annunciation
2001. 63x55 cm. Motif from the altarpiece Majestas Domini. S:t Thomas of Aquinas church, Lund, Sweden.

Photo: Bo Wiberg
 
 

2000. 42x33 cm. Be in private
collection.

Photo: Bo Wiberg
 
 

2006. 53.5x42 cm. Be in the artists collection.
In this icon of the Virgin Mary we meet the divine love so tenderly surrendered that our hearts are filled with gratitude. Every line, colour, form and movement coincides to a dynamic unity of light, harmony, intimacy and attention. The smiling face of Mary cheek to cheek with the child of Jesus’ similarly opened and clarified underline their happiness and closeness, the closeness which all of Gods’ children may experience in the arms of the Church.
Foto: Bo Wiberg


  
 
 

 
2006. 40x34 cm. Be in artists collection.
The Virgin Mary is here depicted as the Sign of the mystery of the Church, the gate of the New Eden. As newly blossoming flower she opens her arms to the Highest, who has taken His place in her womb. The smiling child of Jesus: Immanuel, which means “ God with us”, is a boy about twelve years old, depicted against the background of a night sky scattered with stars, a symbol of how God, the Almighty, keeps the Cosmos together through the supernatural laws of creation. The two burning seraphs represent the everlasting praise before this mystery.
Photo: Bo Wiberg



 
 

2001. 63x55 cm. Motif from the altarpiece Majestas Domini. St. Thomas Aquinas church, Lund, Sweden.

Photo: Bo Wiberg






 
 
 


The Transfigurationen
2006. 61.5x45.5
At the event depicted here, which in a dramatic way could be witnessed by Peter, Jacob and John, as seen in the lower part of the image, Christ was transfigured. In a dazzling light, which surpassed the sun and flanked by Moses and Elias, here he revealed his Divine nature, that he is God in human form. Overflowing by light and energy this icon depicts the Divine force and joy by which Jesus is present in the world.

Photo: Bo Wiberg





The Crucifixion
1999. 37x31 cm.
Motif from The way of the cross, St. Lars church, Uppsala, Sweden.
Surrounded by the closest mourners: Mary the Mother of God and behind her Mary Magdalene, the little John the disciple and the converted soldier Longinus, the dying of Jesus on the cross is depicted here – the mystery of Salvation – which heals man from all sin and evil. This is also a beautiful image of the sleep of death, which shall be followed by a joyful awakening on “the other side”.

Photo: Bo Wiberg
 
 
 
 

 
1999. 37 x 31 cm.
Motif from The way of the cross, S:t Lars church, Uppsala, Sweden.

Photo: Bo Wiberg

 
 
 
 
 
 
 

2006. 46x36.5 cm. Be in the artists collection.
Here we may see the happy resolution of the drama, how Christ, in brilliant white, surrounded by Old testament kings and prophets, has taken hold of the hands of Adam and Eve – a symbol for the salvation of all of mankind. With great force he pulls these two from the darkness of the land of the dead, into the eternal light that he shares with his Father in heaven. The harmonious, blue- turquoise oval shape behind Christ symbolizes the heavenly, eternal and stands in contrast to the black, the darkness of the disharmonious Kingdom of death in the foreground.
Photo: Bo Wiberg



 
 


The face of Christ not made by human hand - Acheiropoietos
2006. 70 x 61 cm. Be in artists property.
Here we meet God’s face in human form. God the Creator is invisible and defies every attempt of visual description or explanation. The empty circle is therefore the only true image of the Eternal. But in the circle we now see the face of Jesus – God who became man so that man could be what she is: God’s image and friend. Consequently we see in this simple and intense face – if yet only as if in a mirror – in symbolic meaning God’s transfigured and eternal face, which in the deepest sense is also our own.

Photo: Bo Wiberg




 
 


Christ with the burning look.
1997. 12 x 15 cm. Be in artists collection.


Photo: Bo Wiberg
 


Majestas Domini - Deesis
2001. 204x208 cm. Central motif in the altar piece majestas Domini, St. Thomas of Aquinas church, Lund, Sweden


Photo: Bo Wiberg

1996. 28x34 cm. Be in private property.
Saint Francis of Assisi (1182-1226) is one of the most beloved saints in the Catholic Church. With his charming and irresistible message, he started a spiritual renaissance during the medieval time, which still continues. Here he is depicted amongst Umbrian hills, trees and rivers, accompanied by all kinds of birds and fish that he used to preach to when people did not want to listen to him – you could also call him the saint of ecology. The nice dog is the earlier so much feared wolf of Gubbio, which the saint tamed – a repentant criminal of that time.
Foto: Bo Wiberg


 


The Righteous Rut with her son Obed
1995. 24x30 cm. Be in private property.
This icon is homage to the natural grace: all the good things the Creator has put into the hands of man. With the small Obed and the sheaf of wheat in her arms Rut appear as the archetype of the fertile women who give birth to the human race and as a pre-figuration of Mary, The Mother of God and the Church. The river with gay fishes – symbol of the course of time – the billowing fields and the glimmering city in the back-ground, complete the image of the human conditions: the nature, the culture and the social project.
Foto: Bo Wiberg


 

 
 

2005. 58x47.5 cm. Be in private property.
This is the knight of Truth and Good and the great white horse is Faithfulness. The dragon is an ancient and revolting creature, ready to sink its teeth into all men of good will. This icon is the unsurpassed symbolic image of the struggle between good and evil in both personal and collective meaning. George is sitting steadily in his saddle, and with the force of his spiritual look and the lance, blessed by God’s hand in heaven, he settles the fight with one well-directed blow.


Photo: Bo Wiberg
 
 
 
 

Jakobs Ladder
2007. 45x32 cm. Be in artists collection.
The ladder of Jacob may in this icon be interpreted as the firm link between heaven and earth. In the foreground we see the smiling Jacob himself – representative of all of God’s children – with opened eyes gazing on this vision. In transparent colours, at the background of a dark-blue night sky with sparkling stars, we see the ladder, here interpreted as a crystal staircase, and on this; brilliant angels in white cloaks coming down in slow motion, gently, harmoniously and with dancing steps. These holy three are God’s and man’s servants and here also represent the Holy Trinity.

Photo: Bo Wiberg
 
 
 
 


Saint Augustine
1997. 31x38 cm. Be in privat property.

Foto:Bo Wiberg
 


2002. 49.5x34 cm. Be in artists collection.
Copy of the Bridget icon, gift from the Swedish
Catholic and Protestant Churches to Pope John
Paul II. The original icon was delivered to the pope during a solemn service in St. Peter's church i Rome under on account of the great Bridget jubilee 2003.
Saint Bridget of Vadstena (1303-1373), visionary and prophet, is the foremost saint in Sweden and of the most famous female characters from the medieval period. Here we see her writing one of her more than one hundred revelations (Revelationes), which she received from Christ and the Virgin Mary, and who are seen depicted in miniature and dressed in pearl-white in the upper part of the image. In the open book we may read in Latin a quotation from her third revelation: “Listen you who have got the ability to hear spiritual things”. In 1999 pope John Paul II appointed her as one of the five patron saints of Europe – Compatrona Europae.

Foto: Bo Wiberg

 

 
 


Saint Teresa of Liseux
1998. 60x75 cm. The Catherdral of Amulnecar, Spain.


Photo: Bo Wiberg


The sacrifice of Abrahem
1999. 31x40 cm. Be in private property.


Photo: Bo Wiberg





The meeting of Mary och Elisabeth
1999. Be in artists collection.


The face of Christ not made by human hand -Acheiropoietos
1998. 45,5 x 52 cm.


Saint Francis of Assisi
1996. 28 x 34 cm. Be in artists collection.



Saint Georg and the dragon
1998. 47,5 x 58 cm.



Saint Augustine
1997. 31 x 38 cm.



The sacrifice of Abraham
1999. 31 x 40 cm. Egen ägo.



The life of Jesus - 13 mysteries

Hagiographic, miniature icon. 70 x 86,5 cm. Central motif 32 x 40 cm. Reamining twelve motif (miniatyrer) 16 x 20 cm. Painted 1987 -89. Be in private property.


Photo: Bo Wiberg


I The Annunciation



II The Birth



III Babtism



IV Temptation



V Tarnsfiguration



VI The entrance into Jerusalem



VII The last supper



VIII I the garden Getsemani



IX The Crucifixion



X The Resurrection (the central motif)



XI The Ascension



XII The pentecost



XIII The death of Mary and ascentson

Den döda Gudsmodern omgiven av apostlarna, mot bakgrund av en mandorla i form av en port, där den uppståndne frälsaren i sin famn håller hennes själ, gestaltad av ett spädbarn. Över detta den tronande Himladrottningen uppburen mot höjden av två änglar. (Jfr bl a Upp 7:13-16. Maria är den första gudomliggjorda människan, och har upptagits till himmelen på liknanade sätt som Jesus)


Majestas Domini - en altar piece in process

.


The way of the Cross and the Resurrection
Målad 1999. St. Lars Catholic church, Uppsala, Sweden.

The icons in the way of the Cross 31 x 37 cm. The Resurection 37 x40 cm.

Photo: Bo Wiberg


I Jesus before Pilate

I


II Jesus take the Cross upon himself - Ecce Homo



III Jesus is falling



IV Jesus meet his mother



V Simon från Kyrene is helpen Jesus to carry the Cross



VI Veronica give Jesus the cloth of sweat - Mandylion



VII Jesus fall the second time



VIII Jesus speak to the crying wimen



IX Jesus fall the third time



X Jesus is undressed



XI Christ id crucifide



XII Jesus die



XIII The deposition



XIV The interment




Interiors

This part of the gallery will be completed.


St Thomas of Aquinas church
Lilla Algatan 8, Lund, Sweden
Painted 2000 och 2001.
204 x 340 cm. Inagurated 2001.

photo: Mattias Piltz




The altar piece Anastasis
Maria Magdalena church
Flygelvägen 1, Lund, Sweden
Painted 1992 och 1994. 210 x 330 cm. Inagurated1994.

Photo: Bo Wiberg